On new papers and coating observations part 2 mar 23, 2010 The strange thing about all this is that in 2005, Piezography Neutral K7 was released as a multi-toning ink system. But, instead of using color inks, it utilized the tone of the paper in order to arri... piezography life writing Lee mas
Piezography resolution in comparison to Epson ABW mar 8, 2010 When Epson released their ABW system, we produced a test that would help show one of the significant differences between using six or seven shades of Piezography black ink in comparison to using only ... featured piezography technical research workflow Lee mas
On customizing Piezography feb 28, 2010 ON CUSTOMIZING PIEZOGRAPHY.* Piezography has a number of variations that make a near infinitude of possibilities when all of the ink/paper variations are considered. Piezography pigment is so finely m... piezography k7 inks and k7 curves workflow writing Lee mas
QuadTone RIP dic 22, 2009 BACKGROUND* There are two RIPs which support Piezography inks. The ErgoSoft StudioPrint RIP (SPR) is expensive and very full-featured. It has enormous flexibility at a high cost. The other, QuadTone R... rips writing Lee mas
A Calibration Primer ene 20, 2009 INTRODUCTION* Piezography K7 is intended as a synergistic relationship between seven shades of carbon black ink and a special Piezography curve for the QuadTone RIP (QTR) software. The Piezography des... calibration workflow writing Lee mas
Pre-Visualization Strategies for Piezography part 3 ene 20, 2009 So if a photographer can not calibrate their display to print, or refuses to… why would a photographer refuse to calibrate to print? The reason I hear the most, is that they do not like the look of th... calibration workflow writing Lee mas
Pre-Visualization Strategies for Piezography part 2 ene 20, 2009 Lets take a look at what happens when a display is calibrated too bright. Many photographer like to look at their images as if they were looking at them on a light box. They often calibrate so that th... calibration workflow writing Lee mas
Pre-Visualization Strategies for Piezography intro ene 20, 2009 Standard K7 profiles are made to differentiate between 256 gray levels from RGB value 0 (black) to RGB value 255 (white). Therefore, displays should be calibrated to print specs of an approximate cont... calibration workflow writing Lee mas
Calibration! Do I need it? ene 20, 2009 Take a look at the following graphic to find your calibration score. What is the lowest number that you can just barely see? 1 – 9 Fantastic! Great job! You’re calibrated to print. 10 – 15 G... calibration workflow writing Lee mas
Checking your linearization ene 20, 2009 You can check the quality of your own linearization with a tool that I have provided in the form of an Excel spreadsheet called “Linearization_Checker.xls”. This spreadsheet has a form for entering in... piezography k7 inks and k7 curves workflow writing Lee mas
Piezography Profiles ene 20, 2009 Piezography K7 (K6) is a system of seven (or six) shaded monochromatic inks and matching media “profiles,” that when used correctly produce a perfect black & white ink density linearization on a speci... featured piezography k7 inks and k7 curves workflow writing Lee mas
Scanning workflow dic 27, 2008 Because K7 is designed to separate the gray values between 0 and 255, you should calibrate your imaging techniques to a dMin of 255 and dMax of 0. As elementary as this sounds, many users mostly autom... piezography technical research workflow writing Lee mas