Direct To Plate Photogravure Workshop
Thanks for your deposit. A separate online bill for $ 1050.0 will be sent from Cone Editions Press for the remainder of the class fee. Digital Direct to Plate Photopolymer (DTP) Gravure has the potential to allow a new user to make photogravures at the same standard as those practicing the traditional copper based methods but with 1/3 the cost and 1/10th the amount of labor. Our process matches your monitor.
SOLD OUT! August 12 to 15, 2019
The process, as we teach it, is not difficult to master. If you have no experience in an etching studio you will gain a huge amount from this workshop. On the other hand, if you've been practicing copper plate photogravure a visit to our workshop can change your life!
SOLD OUT! Dates: August 12 to 15, 2019.
No experience necessary.
Total Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 6
Limited to six attendees. This workshop concentrates on a new Piezography method of producing photopolymer gravure plates by printing the positive image directly onto the pre-sensitized plate. No film is required. An exposing screen is not required. A vacuum exposing machine is not even required for this process. Yet the benefits are a much higher acuity and fidelity than available when using film positives, exposing screens, and vacuum exposing units. You can read more about our involvement in this process here.
The Piezography® Direct-to-Plate Photopolymer Gravure is a method in which an Epson printer driver is manually tuned via lesser-used settings to manage Piezography Ultra HD Matte Black ink output and dithering with the purpose of printing a positive image directly onto the surface of a photopolymer plate. The complex calibration and linearization of the output is performed by a proprietary Piezography ICC profile. This process is ideally OS X compatible and that is how we prefer to teach it. But there is room for Windows. OS X offers color management potentials and products that Windows does not, hence our preference.
As with any Piezography process, the linearization is perfectly suited to the medium and there is a screen display to print match that allows the user to edit their images without compensation curves and other unnecessary processes. The Piezography method produces what appears to be a visual replicant of the aquatint photogravure process.
You'll learn how to process the plates in plain water, dry them, and ready them for inking by hand. In the etching studio, for the sake of health and safety, we will only use safe etching inks that clean up easily with water and do not produce fumes of any kind. What you learn however, is easily adaptable to oil based etching inks. You'll learn how to set up the etching press for the type of pressure required for photogravure. You'll learn how to calendar paper and prepare it for printing. You'll learn how to ink and wipe your own plates and pull your own prints!
Attendees must bring a laptop, but we provide professional grade large screen reference calibrator displays by Eizo and NEC. If you are not currently digitally equipped, please bring something for us to digitize for you. If you only have digital images and no laptop - bring them on a flash drive and you can use our computers. You should bring a series of images you wish to work with. All of the materials and fine art papers are included in the workshop costs. If you happen to have a portfolio, bring it with you. We would love to see and share.
Here is a list of what we will cover, followed by Travel and Housing information:
Overview of the Direct to Plate Photopolymner Gravure process
Studio Setup - Presses, Exposing Units, Inking areas, post print processing and drying
How to build a print flattener
The new Piezography Ultra HD matte black ink
Setting up Photoshop
Setting up Lightroom
The Piezography Direct to Plate method
Photopolymner plate Development and Hardening
Photopolymner plate Cutting
Safe etching inks vs conventional etching inks
Photopolymner plate inking and wiping
Paper preparation and calendaring
Etchnig Presses and their setup for gravure
Printing Photopolymner plates with an Etching Press
Editioning and production strategies
Print drying and flattening using a print drying flattener and how to build one yourself
Introduction to Piezography Professional Edition Toolset
Group print-show and talk
Questionnaire & Wrap-up
- Source materials such as digital photographs, either scanned film or digital originals.
- Images in digital format. PSD, jpg, TIFF, RAW file formats are all common and work. Bring original files at original resolution in addition to any processed or manipulated versions.
- Jump drive (thumb drive or other portable read/write media) - this is how you will shuttle your images from your laptop to the print servers.
- A laptop is mandatory. We do not have computers for you to work with at the workshop. You should have Photoshop or/ and Lightroom installed. Download 30 day trial versions from Adobe and install before you arrive.
- Large enough luggage to pack small and medium prints, with stiff protector (cardboard or matt board). You can also make arrangements and pay Cone Editions Press to ship your prints that you produce in the workshop back to your home.
The $1,500 workshop fee includes all materials and fine art papers. We provide a delicious lunch according to your dietary restrictions as long as you send us notice at least 7 days in advance. We provide fresh tea and coffee and cold drinks. You get a workshop manual. InkjetMall staff will be present to take orders which include substantial discounts on inks, cartridges, noble metals, papers, and software if you are so inclined to take advantage of things like that.
Any questions? Call Workshop Director, Cathy Cone, at (802) 439-5751
|Workshop Dates||August 12th to 15th, 2019|
If you are looking for information before you buy Piezography, this workshop is not for you and we recommend Piezography for Beginners.
If you are a seasoned Piezography user wishing to squeeze more out of your image preparation and printing technique, this workshop is for you. If you have been using the QuadTone RIP with Piezography and now want to learn everything there is to know about the new Piezography printer drivers and its unique workflow, then this workshop is for you.
If you have no experience whatsoever in digital imaging and hoping to learn Photoshop, then this workshop may not be compatible with you. In this case we recommend a private workshop tailored specifically to your needs or Piezography for Beginners.
If you are seeking to use this time to print a portfolio or an exhibition, this workshop is not compatible with you. In this case we recommend a private workshop at Cone Editions Press.