A Calibration Primer Jan 20, 2009 INTRODUCTION* Piezography K7 is intended as a synergistic relationship between seven shades of carbon black ink and a special Piezography curve for the QuadTone RIP (QTR) software. The Piezography des... calibration workflow writing Read more
Pre-Visualization Strategies for Piezography part 3 Jan 20, 2009 So if a photographer can not calibrate their display to print, or refuses to… why would a photographer refuse to calibrate to print? The reason I hear the most, is that they do not like the look of th... calibration workflow writing Read more
Pre-Visualization Strategies for Piezography part 2 Jan 20, 2009 Lets take a look at what happens when a display is calibrated too bright. Many photographer like to look at their images as if they were looking at them on a light box. They often calibrate so that th... calibration workflow writing Read more
Pre-Visualization Strategies for Piezography intro Jan 20, 2009 Standard K7 profiles are made to differentiate between 256 gray levels from RGB value 0 (black) to RGB value 255 (white). Therefore, displays should be calibrated to print specs of an approximate cont... calibration workflow writing Read more
Calibration! Do I need it? Jan 20, 2009 Take a look at the following graphic to find your calibration score. What is the lowest number that you can just barely see? 1 – 9 Fantastic! Great job! You’re calibrated to print. 10 – 15 G... calibration workflow writing Read more
The K7 standard and monitor display systems Dec 26, 2008 THE K7 STANDARD* Piezography K7 profiles when used with K7 inks produce 255 separate shades of gray (256 including white). The Piezography profiles are actually curve sets that I make for the QuadTone... calibration piezography workflow writing Read more