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Digital Print Workshops
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SKU# CEP-WS-PDN-2018-04-23
Digital Negatives that Work is the name of this workshop because the method that we teach using the new PiezoDN software and inks system produces a negative for any darkroom or alternative process automatically rather than by the tedious process required by other systems. It's self-adjusting to variables by simply remeasuring a target. It is the easiest to use system. And its simplicity matches its best in industry performance. These negatives produce higher acuity, smoother tonal response, and better linearization than other digital negative systems.
Our method works so that you can produce more and better work. We like to say that our software and inks system does the work so that you do not have to.
When this course is taught in Vermont we use the Platinum / Palladium process because it is the least toxic of any darkroom or alternative process. We are on country plumbing here at Cone Editions Press and we are mindful of what we put in our land and in our bodies. But, the process that you will learn for making digital negatives is directly applicable to any other darkroom or alt process.
If your ultimate goal is to make silver prints, or salt prints, or cyanotypes or any process that requires a digital negative - this workshop is for you. If you have always wanted to learn platinum / palladium printing, this workshop is also perfect for you!
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
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SKU# CEP-WS-PDN-2018-06-25
Digital Negatives that Work is the name of this workshop because the method that we teach using the new PiezoDN software and inks system produces a negative for any darkroom or alternative process automatically rather than by the tedious process required by other systems. It's self-adjusting to variables by simply remeasuring a target. It is the easiest to use system. And its simplicity matches its best in industry performance. These negatives produce higher acuity, smoother tonal response, and better linearization than other digital negative systems.
Our method works so that you can produce more and better work. We like to say that our software and inks system does the work so that you do not have to.
When this course is taught in Vermont we use the Platinum / Palladium process because it is the least toxic of any darkroom or alternative process. We are on country plumbing here at Cone Editions Press and we are mindful of what we put in our land and in our bodies. But, the process that you will learn for making digital negatives is directly applicable to any other darkroom or alt process.
If your ultimate goal is to make silver prints, or salt prints, or cyanotypes or any process that requires a digital negative - this workshop is for you. If you have always wanted to learn platinum / palladium printing, this workshop is also perfect for you!
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
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SKU# CEP-WS-PDN-2018-10-15
Digital Negatives that Work is the name of this workshop because the method that we teach using the new PiezoDN software and inks system produces a negative for any darkroom or alternative process automatically rather than by the tedious process required by other systems. It's self-adjusting to variables by simply remeasuring a contact printed target. It is the easiest to use system. And its the only system that produces prints that match your display.
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
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SKU# CEP-WS-POP-2018-08-13
This workshop is designed to teach platinum-palladium printing with enlarged digital negatives, as both an introductory and advanced-level opportunity to become familiar with one of the most highly nuanced approaches to the process. The method taught in this workshop has recently been recognized by conservators as the most permanent variation of the process. The image appears as it is exposed (print-out) and renders remarkably smooth tones, with the legendary ‘creamy’ highlights and open shadows.
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
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SKU# CEP-WS-AP-2018-05-14
Advanced Piezography differs from Piezography for Beginners by stepping past installation and basic procedures. Or rather we can say we just jump into it. If you think you can pick up a process by this type of stepping off into it - we might welcome you into the Advanced even if you're not a Piezographer. For example, learning the software is as much conceptual as it is practical. In other words, if you have a head for absorbing technical information you can learn a great deal in this workshop, but learn on your own later how to do the mechanical setting up of the inks and printers, learning the basics, etc. Having said that, the workshop is definitely not for beginners. You should already know how to make a Piezography print but are now ready to learn the real nitty gritty.
Appropriate for seasoned users of Piezography. You should have a basic working knowledge of Piezography and either Photoshop or and Lightroom.
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
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SKU# CEP-WS-AP-2018-10-22
Advanced Piezography differs from Piezography for Beginners by stepping past installation and basic procedures. Or rather we can say we just jump into it. If you think you can pick up a process by this type of stepping off into it - we might welcome you into the Advanced even if you're not a Piezographer. For example, learning the software is as much conceptual as it is practical. In other words, if you have a head for absorbing technical information you can learn a great deal in this workshop, but learn on your own later how to do the mechanical setting up of the inks and printers, learning the basics, etc. Having said that, the workshop is definitely not for beginners. You should already know how to make a Piezography print but are now ready to learn the real nitty gritty.
Appropriate for seasoned users of Piezography. You should have a basic working knowledge of Piezography and either Photoshop or and Lightroom.
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
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SKU# CEP-WS-AP-2018-09-24
Advanced Piezography differs from Piezography for Beginners by stepping past installation and basic procedures. Or rather we can say we just jump into it. If you think you can pick up a process by this type of stepping off into it - we might welcome you into the Advanced even if you're not a Piezographer. For example, learning the software is as much conceptual as it is practical. In other words, if you have a head for absorbing technical information you can learn a great deal in this workshop, but learn on your own later how to do the mechanical setting up of the inks and printers, learning the basics, etc. Having said that, the workshop is definitely not for beginners. You should already know how to make a Piezography print but are now ready to learn the real nitty gritty.
Appropriate for seasoned users of Piezography. You should have a basic working knowledge of Piezography and either Photoshop or and Lightroom.
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
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SKU# CEP-WS-CPSP-2018-08-20
Successful color printing relies on understanding and fully utilizing the technology used to capture, enhance and print images. The goal of color management is to build an imaging system that can be used to print with confidence, and produce consistent results over time.
This course will cover the basics of color management and go thru advanced calibration and profiling techniques, as well as professional studio practices. Participants will learn all about color management and how to build a calibrated system, so they can predictably print what they see. Studio practices include scanning and printing workflows, image preparation and editing techniques, print handling, storage and packing, and equipment maintenance. Come learn at the studio recognized as a pioneer in digital printmaking!
Appropriate for both beginning and advanced practitioners.
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
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SKU# CEP-WS-CPSP-2018-10-8
Successful color printing relies on understanding and fully utilizing the technology used to capture, enhance and print images. The goal of color management is to build an imaging system that can be used to print with confidence, and produce consistent results over time.
This course will cover the basics of color management and go thru advanced calibration and profiling techniques, as well as professional studio practices. Participants will learn all about color management and how to build a calibrated system, so they can predictably print what they see. Studio practices include scanning and printing workflows, image preparation and editing techniques, print handling, storage and packing, and equipment maintenance. Come learn at the studio recognized as a pioneer in digital printmaking!
Appropriate for both beginning and advanced practitioners.
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
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SKU# CEP-WS-CPJC-2018-07-23
Limited to six attendees. Your work is at the forefront of this workshop. The idea is to slow it down and to concentrate and contemplate the making of a print. We'll work in monotone.
When you hear a printmaker say that they worked on a print for several weeks, have you ever considered what they possibly did in all that time? What would you do in that time? What if you had an opportunity to work on a single image for four days with the idea of learning the processes that go into making a Master Print.
This would be a perfect workshop for those who consider themselves knowledgable enough about workflows and systems and feel that they can easily adapt to an advanced workshop. You should have a basic working knowledge of Piezography and either Photoshop or and Lightroom. However, it is more important to be comfortable in Photoshop and Lightroom than having experience in Piezography (we can do the technical part of printing - it doesn't change your experience in terms of reflecting on the prints and responding to them.)
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 6
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SKU# CEP-WS-EIP-2018-07-16
Alternative inks, uncoated papers, vellum, inkjet fabric.
This workshop is a creative exploration and experimentation designed to expand the participant’s vocabulary. The purpose is to explore new methodologies and perspectives. We’ll utilize a large variety of substrates and techniques in a digital lab of studio collaborators. If you’re looking for a digital upgrade to your toolbox, this visual smorgasbord is an exciting new workshop offering! If you like hanging out on the cutting edge then this is the workshop for you!!
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SKU# CEP-WS-PFB-2018-06-4
This course will take you from basics to mind blowing in four days. Absolutely everything you ever wanted to know about Piezography and Piezography Pro using both QuadTone RIP or / and the new Piezography printer driver and quite a bit more. Learn directly at the Studio that invented Piezography from the instructors who continually design and update it!
Appropriate for both pre-Piezography and new users of Piezography. You need only a basic working knowledge of either Photoshop or and Lightroom.
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
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SKU# CEP-WS-PFB-2018-05-7
This course will take you from basics to mind blowing in four days. Absolutely everything you ever wanted to know about Piezography and Piezography Pro using both QuadTone RIP or / and the new Piezography printer driver and quite a bit more. Learn directly at the Studio that invented Piezography from the instructors who continually design and update it!
Appropriate for both pre-Piezography and new users of Piezography. You need only a basic working knowledge of either Photoshop or and Lightroom.
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
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SKU# CEP-WS-PFB-2018-09-17
This course will take you from basics to mind blowing in four days. Absolutely everything you ever wanted to know about Piezography and Piezography Pro using both QuadTone RIP or / and the new Piezography printer driver and quite a bit more. Learn directly at the Studio that invented Piezography from the instructors who continually design and update it!
Appropriate for both pre-Piezography and new users of Piezography. You need only a basic working knowledge of either Photoshop or and Lightroom.
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
-
SKU# CEP-WS-PDN-2018-04-23
Digital Negatives that Work is the name of this workshop because the method that we teach using the new PiezoDN software and inks system produces a negative for any darkroom or alternative process automatically rather than by the tedious process required by other systems. It's self-adjusting to variables by simply remeasuring a target. It is the easiest to use system. And its simplicity matches its best in industry performance. These negatives produce higher acuity, smoother tonal response, and better linearization than other digital negative systems.
Our method works so that you can produce more and better work. We like to say that our software and inks system does the work so that you do not have to.
When this course is taught in Vermont we use the Platinum / Palladium process because it is the least toxic of any darkroom or alternative process. We are on country plumbing here at Cone Editions Press and we are mindful of what we put in our land and in our bodies. But, the process that you will learn for making digital negatives is directly applicable to any other darkroom or alt process.
If your ultimate goal is to make silver prints, or salt prints, or cyanotypes or any process that requires a digital negative - this workshop is for you. If you have always wanted to learn platinum / palladium printing, this workshop is also perfect for you!
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
-
SKU# CEP-WS-PDN-2018-06-25
Digital Negatives that Work is the name of this workshop because the method that we teach using the new PiezoDN software and inks system produces a negative for any darkroom or alternative process automatically rather than by the tedious process required by other systems. It's self-adjusting to variables by simply remeasuring a target. It is the easiest to use system. And its simplicity matches its best in industry performance. These negatives produce higher acuity, smoother tonal response, and better linearization than other digital negative systems.
Our method works so that you can produce more and better work. We like to say that our software and inks system does the work so that you do not have to.
When this course is taught in Vermont we use the Platinum / Palladium process because it is the least toxic of any darkroom or alternative process. We are on country plumbing here at Cone Editions Press and we are mindful of what we put in our land and in our bodies. But, the process that you will learn for making digital negatives is directly applicable to any other darkroom or alt process.
If your ultimate goal is to make silver prints, or salt prints, or cyanotypes or any process that requires a digital negative - this workshop is for you. If you have always wanted to learn platinum / palladium printing, this workshop is also perfect for you!
Fee: $1,500
Length: Four days
Location: Cone Editions Press, Vermont.
Includes: All material costs.
Maximum attendees: 8
Learn More
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